Something Rotten! JR.
A hysterical Broadway Junior musical adapted from the Broadway hit!
International Restrictions May Apply
Show Essentials
23
Roles
+ Ensemble
PG
Rated
1
Act

Full Synopsis

A banner reading 'SOMETHING ROTTEN!' hangs onstage as Tudor buildings are revealed on a Renaissance-era 1595 South London street ("Welcome To The Renaissance"). A Minstrel and Townspeople laud the societal advances being made, while a group of Puritans, including Brother Jeremiah and Portia, disapprove. The Minstrel explains that, unless you're superstar William Shakespeare, being a playwright is difficult ("Welcome To The Renaissance - Playoff").

Inside the theater, Nick Bottom rehearses with the Troupe, including Tom Snout, Robin, Peter Quince, and Nigel. Their patron, Lord Clapham, announces that Shakespeare has written a version of Richard II, the play the Troupe has been rehearsing, and demands they write a new play by the next day. Nick is frustrated ("Man, I Hate Shakespeare").

Back at home, Nick and Nigel are searching for a new idea when Shylock interrupts to collect Nick's debt. Shylock offers to become Nick's patron, but Nick refuses. Bea offers to get a job to help with expenses ("Right Hand Man"). Bea leaves to find work, Nigel tries to write, and Nick laments his situation ("Man, I Hate Shakespeare - Reprise"). Suddenly, Nick has an idea and heads to Soothsayer Alley, where Nostradamus tells him that the future of theater is… musicals ("A Musical; A Musical - Tag")!

Nigel and Portia meet and fall instantly in love, but Portia is unattainable as Brother Jeremiah's daughter. Nick tells Nigel about the musical and shares his first idea for a show: ("The Black Death"). Brother Jeremiah does not approve, and Lord Clapham ends his patronage, since Brother Jeremiah could jeopardize Lord Clapham's relationship with the Queen. Nick vows to solve the Troupe's money problem.

At the market, Nick and Nigel encounter Bea in disguise. She's gotten a job and is quickly called back to work by the Foreman. Nick leaves to find a new patron. In disguise, Portia enters and recites a verse of Nigel's poetry, impressed by his talent ("I Love The Way"). They are interrupted by a Messenger with an invitation from Shakespeare to attend a recitation in the park. Shylock offers Nick his services as patron yet again and reveals that Nigel is attending Shakespeare's recitation.

The crowd gathers for Shakespeare's dazzling recitation ("Will Power"). Shakespeare spots Nigel and Portia in the crowd ("Shakespeare's After Party 1"; "Shakespeare's After Party 2") and offers to read Nigel's poetry, but Nick accuses Shakespeare of stealing ideas. Brother Jeremiah takes Portia away, and Nigel goes after her. Nick finally agrees to take Shylock as a patron.

In Soothsayer Alley, Nick pays Nostradamus to look into the future for Shakespeare's greatest play: Omelette! Nick dreams of his new life as a famous playwright ("Nick Bottom's Gonna Be On Top").

Shakespeare finds out about Nick's plan from Eyepatch Man, and he vows to investigate.

The Troupe rehearses the musical ("It's Eggs"), and Shakespeare, disguised as Toby Belch, joins the production. Nigel sneaks off to visit Portia.

Nigel reads Portia the sonnet he's written for her. He is worried about approval from her father and his brother, but she encourages him to speak from his heart ("We See The Light"; "We See The Light - Playoff"). Unfortunately, Brother Jeremiah vows to lock Portia in a tower before sending her to Scotland. Taking Portia's advice, Nigel writes from his heart ("Nigel's Theme") and presents the new pages to the Troupe. They are very good, unlike Nick's musical, and Nigel tries to explain his inspiration ("To Thine Own Self Be True"). Nick and Nigel fight, Shakespeare takes Nigel's pages, and Shylock reveals that Omelette The Musical is sold out. Bea encourages Nigel to stick with Nick.

The Troupe performs the musical ("Something Rotten") with a hilarious jumble of musical theater references and a big production number ("Make An Omelette"), complete with EGGS. In the middle of the performance, Shakespeare reveals himself and tells everyone what Nick has done.

Nick is put on trial, where a Master Of The Justice will decide his fate. Bea arrives in disguise to act as Nick's lawyer and puts forth a plea of temporary insanity. Nick agrees and apologies ("To Thine Own Self - Reprise"). Then, Bea calls Shakespeare to the stand ("Shakespeare In Court 1)". Shakespeare convinces the Master of the Justice to banish Nick and Nigel rather than behead them ("Shakespeare In Court 2").

Nick, Nigel, Bea, and Portia leave England for the New World ("Welcome To America").

Casting
← Back to Something Rotten! JR.
Cast Size: Large (21 or more performers)
Cast Type: Ensemble Cast
Dance Requirements: Standard

Character Breakdown

Minstrel

Opens the show by welcoming the audience to the Renaissance! The
Minstrel joins the ensemble for the rest of the show.

Vocal range top: F4
Vocal range bottom: E3
Brother Jeremiah

A Puritan and Portia’s father. He sees sin wherever he looks and does not approve of the theater especially Nick and Nigel’s Troupe.

Gender: male
Vocal range top: G5
Vocal range bottom: E4
Portia

A Puritan and Brother Jeremiah’s daughter. She is passionate about poetry even though she isn’t technically allowed to read it.

Gender: female
Vocal range top: D5
Vocal range bottom: E3
William Shakespeare

The most famous playwright in Tudor England. Though Shakespeare is extremely successful, he’s always on the lookout for inspiration, which sometimes includes borrowing ideas from others. 

Gender: male
Vocal range top: G5
Vocal range bottom: E4
Nick Bottom

A struggling playwright who dreams – much to his own chagrin – of having a career like Shakespeare’s. Though Nick is artistically frustrated and stressed about leading the Troupe, he means well, even if his actions aren’t always exactly ethical.

Gender: male
Vocal range top: F5
Vocal range bottom: G3
Nigel Bottom

Nick’s sweet younger brother, lacks the confidence he needs to write until he falls in love with Portia. Inspired by her confidence in him, Nigel writes verses worthy of Shakespeare himself!

Gender: male
Vocal range top: G#5
Vocal range bottom: C4
Troupe

Peter Quince, Robin, Tom Snout, Snug, Francis Flute

These fun character parts sing as a group but have no solos. Peter, Robin, Tom, and Francis have spoken lines.

Lord Clapham

A posh patron of the theater. He abandons the Troupe as their patron once they cross Brother Jeremiah.

Gender: male
Shylock

Banned from any profession other than moneylending, but theatre is his true love, and he wants nothing more than to become the Troupe’s patron

Gender: male
Bea

Married to Nick and loves him in spite of his lack of success in the theatre. She is whip-smart, is resourceful, and always looks on the bright side of any situation.

Gender: female
Vocal range top: F3
Vocal range bottom: Eb2
Nostradamus

Not the Nostradamus, but his niece, Nancy – can see the future, although with varying degrees of accuracy. Her predictions, for better or worse, lead the Troupe to produce their very first musical.

Gender: female
Vocal range top: B4
Vocal range bottom: F#3
Foreman
Messenger
Announcer
Attendant
Doorman
Panicked Woman
Valet
Eyepatch Man
Horatio
Footman
Master of the Justice
Court Scribe
Clerk
Ensemble

Townspeople (Solo 1, Solo 2, Solo 3, Solo 4), Puritans (Puritan 1, Puritan 2, Puritan 3, Puritan 4), Crowd (1st Person In Crowd, 2nd Person In Crowd, 3rd Person In Crowd, Astrologers (Astrologer), Psychics, Fortune Tellers, Chorus, Grim Reapers, Eggs (Sad Little Egg), Guards

Full Song List
Something Rotten! Jr.: Welcome to the Renaissance
Something Rotten! Jr.: Man, I Hate Shakespeare
Something Rotten! Jr.: Right Hand Man
Something Rotten! Jr.: Man, I Hate Shakespeare (Reprise)
Something Rotten! Jr.: A Musical
Something Rotten! Jr.: The Black Death
Something Rotten! Jr.: I Love The Way
Something Rotten! Jr.: Will Power
Something Rotten! Jr.: Shakespeare’s After Party 1
Something Rotten! Jr.: Shakespeare’s After Party 2
Something Rotten! Jr.: Shakespeare’s After Party 3
Something Rotten! Jr.: Nick Bottom’s Gonna Be On Top
Something Rotten! Jr.: It’s Eggs
Something Rotten! Jr.: We See The Light
Something Rotten! Jr.: Nigel’s Theme
Something Rotten! Jr.: To Thine Own Self Be True
Something Rotten! Jr.: Something Rotten
Something Rotten! Jr.: Make An Omelette
Something Rotten! Jr.: To Thine Own Self (Reprise)
Something Rotten! Jr.: Shakespeare In Court 1
Something Rotten! Jr.: Shakespeare In Court 2
Something Rotten! Jr.: Welcome To America

Curriculum Connection

  • The Scientific Method
  • Language Arts
  • History
  • Fine Arts
  • Geometry and The Globe Theatre
  • Historic Technology

Billing

Requirements

You must give the authors/creators billing credits, as specified in the Production Contract, in a conspicuous manner on the first page of credits in all programs and on houseboards, displays and in all other advertising announcements of any kind.
Percentages listed indicate required type size in relation to title size.
[Name of Organization]
Production of
Book by
Karey Kirkpatrick and John O’Farrell
50%
 
Music & Lyrics by
Karey Kirkpatrick and Wayne Kirkpatrick
50%
 
Conceived by Karey Kirkpatrick and Wayne Kirkpatrick
33%
 
ADDITIONAL BILLING CREDITS: The following credits should be included on your program title page and in advertising and publicity whenever you provide full credits for your production:
Arrangements
Glen Kelly
Orchestrations
Larry Hochman
 
Something Rotten! produced on Broadway by Kevin McCollum
  Broadway Global Ventures Mastro/Goodman Jerry & Ronald Frankel Morris Berchard
Kyodo Tokyo Inc. Wendy Federman Barbara Freitag LAMS Productions Winkler/DeSimone
  Timothy Laczynski Dan Markley Harris/Karmazin Jam Theatricals Robert Greenblatt
    and Jujamcyn Theaters    

 

Developed in association with the 5th Avenue Theatre, Seattle, WA, David Armstrong, Executive Producer and Artistic Director, Bernadine Griffin, Managing Director and Bill Berry, Producing Artistic Director
 
SOMETHING ROTTEN! JR.
is presented through special arrangement with and all authorized materials are supplied by 
Music Theatre Internaitonal, New York, NY
(212) 541-4684   mtishows.com

 

Video Warning

In accordance with the Performance License, you MUST include the following warning in all programs and in a pre-show announcement:
ANY VIDEO AND/OR AUDIO RECORDING OF THIS PRODUCTION IS STRICTLY PROHIBITED.

If you purchase a video license to allow non-commercial video recording of this production, then you MUST include the following warning in all programs and in a pre-show announcement:
ANY VIDEO RECORDING MADE OF THIS PERFORMANCE IS AUTHORIZED FOR PERSONAL, AT-HOME, NON-COMMERCIAL USE ONLY. THE SALE OR DISTRIBUTION OF SUCH RECORDING IS STRICTLY PROHIBITED UNDER FEDERAL COPYRIGHT LAW.

Included Materials

ItemQuantity Included
ACTOR'S BOOK30
CHOREOGRAPHY VIDEOS DIGITAL1
DIRECTOR'S GUIDE1
DIRECTOR'S GUIDE1
DOWNLOADABLE RESOURCES AND MEDIA1
GUIDE VOCAL AND PERF TRACKS DIGITAL1
PIANO VOCAL SCORE1
PIANO VOCAL SCORE1

Production Resources

Resource