Full Billing

Billing

Requirements

You must give the authors/creators billing credits, as specified in the Production Contract, in a conspicuous manner on the first page of credits in all programs and on houseboards, displays and in all other advertising announcements of any kind.
Percentages listed indicate required type size in relation to title size.
WORKING
A Musical
(100%)
 
From the book by 
STUDS TERKEL
(50%)
Adapted by
STEPHEN SCHWARTZ and NINA FASO
(50%)
 
With additional contributions by Gordon Greenberg
(33.33%)
 
Songs by
CRAIG CARNELIA 
MICKI GRANT 
LIN-MANUEL MIRANDA
MARY RODGERS and SUSAN BIRKENHEAD 
STEPHEN SCHWARTZ 
JAMES TAYLOR 
(50%)
 
As an integral part of this license, licensee further agrees to insert in each program of the Play, the following credit line exactly as listed for each of the following compositions:
"WORKING" Song Credits
 
ALL THE LIVELONG DAY
Music and Lyrics by Stephen Schwartz (with acknowledgments to Walt Whitman)
 
DELIVERY
Music and Lyrics by Lin-Manuel Miranda
 
NOBODY TELLS ME HOW
Lyrics by Susan Birkenhead, Music by Mary Rodgers
 
BROTHER TRUCKER
Music and Lyrics by James Taylor
 
JUST A HOUSEWIFE
Music and Lyrics by Craig Carnelia
 
MILLWORK
Music and Lyrics by James Taylor
 
IF I COULD'VE BEEN
Music and Lyrics by Micki Grant
 
THE MASON
Music and Lyrics by Craig Carnelia
 
IT'S AN ART
Music and Lyrics by Stephen Schwartz
 
JOE
Music and Lyrics by Craig Carnelia
 
A VERY GOOD DAY
Music and Lyrics by Lin-Manuel Miranda
 
CLEANIN' WOMEN
Music and Lyrics by Micki Grant
 
FATHERS AND SONS
Music and Lyrics by Stephen Schwartz
 
SOMETHING TO POINT TO
Music and Lyrics by Craig Carnelia
 
The following credit shall also appear on a solo line on the title page, in the same size, style and prominence as the choreographer:
“New Orchestrations by Alex Lacamoire”
The videotaping or other video or audio recording of this production is strictly prohibited