Full Billing

Billing

Requirements

You must give the authors/creators billing credits, as specified in the Production Contract, in a conspicuous manner on the first page of credits in all programs and on houseboards, displays and in all other advertising announcements of any kind.
Percentages listed indicate required type size in relation to title size.
You agree to bill the Play and the Authors in all programs, houseboards, displays and in all advertising and all paid publicity, in the following manner:
HELLO! MY BABY
(100%)
 
Concept, Book and New Lyrics by
CHERI STEINKELLNER
(50%)
 

Music and Lyrics by
the Authors of the Great American Songbook*
(25%)
 
Musical Arrangements and Additional Music by
Brian P. Kennedy, Craig Safan,and Michael Kosarin
(25%)
 
The World Premiere of Hello! My Baby was produced by Rubicon Theatre Company,
Karyl Lynn Burns and James O'Neil, Artistic Directors;
under the direction of Brian McDonald, in the Spring of 2012
 
Developmental production by Goodspeed Opera House,
Michael P. Price, Executive Director, in December of 2011
 
Presented at Village Theatre's 2011 Festival of New Musicals, Issaquah, Washington
 
As an integral part of this license, you further agree to insert in each program of the Play the following credit lines exactly as listed for each of the following compositions:
MUSICAL NUMBERS
 

ACT I

“THE PLUGGERS’ PROLOGUE”

  “HELLO! MY BABY”  (1899) by Joseph Howard & Ida Emerson           

  “SWANEE “ (1921) by George Gershwin & Irving Caesar         

  “I’M JUST WILD ABOUT HARRY”  (1920) by Noble Sissle & Eubie Blake                 

  “TOOT-TOOT-TOOTSIE”  (1922) by Kahn/Erdman/Russo                       

  “HOT TIME IN THE OLD TOWN”  (1896) by Theodore Metz & Joe Hayden    

  “SIDEWALKS OF NEW YORK”  (1914) by James Blake & Charles. B. Lawlor

  “ROCK-A-BYE YOUR BABY”  (1918) by Jean Schwartz & Joe Young          

  “YES SIR, THAT’S MY BABY”  (1920) by Walter Donaldson & Gus Kahn

“PLAY A SIMPLE MELODY”  (1914) by Irving Berlin. Additional music/lyrics Craig Safan & Cheri Steinkellner (2012)

“I’M ALWAYS CHASING RAINBOWS”  (1918) by Harry Carroll & Joseph McCarthy

“MODERN MAJOR GENERAL”/ (1879)

“THREE LITTLE MAIDS”  (1885) by Gilbert & Sullivan                  

“A GOOD MAN IS HARD TO FIND”  (1918) by Eddie Green             

“OH, JOHNNY, OH!”  (1917) by Abe Olman & Eddie Rose                   

“JA-DA”  (1918) by Robert Carleton. Additional music/lyrics Safan & Steinkellner (2012)  

“SOME OF THESE DAYS”  (1910) by Shelton Brooks

“ALICE BLUE GOWN”  (1919) by Harry Tierney & Joseph McCarthy  

“IF YOU WERE THE ONLY GIRL”  (1916) by Nat D. Ayer & Clifford Gray                 

ACT II

“HELLO! MY BABY”  (1899) by Howard & Emerson                       

“I DON’T CARE”  (1909) by Jean Lenox & Harry O. Sutton      

“I’LL BUILD A STAIRWAY TO PARADISE”  (1922) by George Gershwin/Arthurs/DaSylva   

“BALLIN’ THE JACK”  (1913)      by Jim Burris & Chris Smith                    

“McKEE & GOLD BREAKDOWN”  (2012) by Craig Safan & Cheri Steinkellner        

“MY BUDDY” (1922) by Henry Burr                                   

“I AIN’T GOT NOBODY”  (1915) by Roger Graham & Spencer Williams        

“AIN’T WE GOT FUN?”  (1921) by R. Whiting, R. Egan, Gus Kahn        

“THERE’LL BE SOME CHANGES MADE”  (1921) by Benton Overstreet, Wm Blackstone

“YOU MADE ME LOVE YOU”  (1913) by Joseph McCarthy, James Monaco      

Additional transition and dance music: “GRIEG’S MORNING SONG”, “AFTER THE BALL”, “BY THE BEAUTIFUL SEA”, “CAN-CAN”, “THE 1812 OVERTURE”, “THE HAPPY FARMER”, “SWAN LAKE”, “STRAUSS WALTZ”

Video Warning

In accordance with the Performance License, you MUST include the following warning in all programs and in a pre-show announcement:
ANY VIDEO AND/OR AUDIO RECORDING OF THIS PRODUCTION IS STRICTLY PROHIBITED.

If you purchase a video license to allow non-commercial video recording of this production, then you MUST include the following warning in all programs and in a pre-show announcement:
ANY VIDEO RECORDING MADE OF THIS PERFORMANCE IS AUTHORIZED FOR PERSONAL, AT-HOME, NON-COMMERCIAL USE ONLY. THE SALE OR DISTRIBUTION OF SUCH RECORDING IS STRICTLY PROHIBITED UNDER FEDERAL COPYRIGHT LAW.