Full Billing

Billing

Requirements

You must give the authors/creators billing credits, as specified in the Production Contract, in a conspicuous manner on the first page of credits in all programs and on houseboards, displays and in all other advertising announcements of any kind.
Percentages listed indicate required type size in relation to title size.
BLUES IN THE NIGHT
(100%)
 
Conceived and Originally Directed by
SHELDON EPPS
(75%)
 
Original Vocal Arrangements and Musical Direction by
CHAPMAN ROBERTS
Orchestrations and Additional Vocal Arrangements by
SY JOHNSON 
 
Note: Billing must be in the exact order as listed above. Mr. Roberts' & Mr. Johnson's billing must be of at least equal prominence to that of the director of this production.
Licensee agrees to insert in each program of the play the following credit line for each of the following compositions:
BLUES IN THE NIGHT
Conceived and Originally Directed by
SHELDON EPPS
 
As an integral part of this license, licensee further agrees to insert in each program of the Play, the following credit line exactly as listed for each of the following compositions:
ACT ONE
 
BLUE BLUES
by Bessie Smith; by permission of Frank Music Corp.
 

FOUR WALLS (AND ONE DIRTY WINDOW) BLUES
by Willard Robinson; by permission of The Jewel Music Publishing Co., Inc.
 

I'VE GOT A DATE WITH A DREAM
by Mack Gordon and Harry Revel; by permission of SBK/Feist Catalog, Inc.
 

NEW ORLEANS HOP SCOP BLUES
by George W. Thomas; by permission of Jerry Vogel Music Co., Inc.

STOMPIN AT THE SAVOY
by Benny Goodman, And Razaf, Edgar Sampson and Cick Webb; by permission of SBK Robbins
Catalogue, Inc. and RYTVOC, Inc.

TAKING A CHANCE ON LOVE
by Vernon Duke, John LaTouche and Ted Fetter; by permission by SBK Miller Catalogue, Inc.

IT MAKES MY LOVE COME DOWN
by Bessie Smith; used by permission of Frank Music Corp.

LUSH LIFE
by Billy Strayhorn; used by permission of Tempo Music, Inc.

I'M JUST A LUCKY SO-AND-SO
by Duke Ellington and Mack David; used by permission by T.B. Harms Company, a Polygram International Music Publishing Company and Famous Music Publishing Company
 

TAKE ME FOR A BUGGY RIDE
by Leola and Wesley Wilson; used by permission of Frank Music Corp.
 

WILD WOMEN DON'T HAVE THE BLUES
by Ida Cox; used by permission of Northern Music Company
 

LOVER MAN
by Jimmy Davis, Jimmy Sherman and Roger "Ram" Ramirez; used by permission of MCA Music Publishing

WILLOW WEEP FOR ME
by Ann?Ronell; used by permission of the Bourne Company

KITCHEN MAN
by Andy Razaf and Wesley Wilson; used by permission of MCA Music Publishing

WHEN YOUR LOVER HAS GONE
by E.A. Swan; used by permission of Warner Bros., Inc.

TAKE IT RIGHT BACK
by H. Grey
 
ACT TWO
 
JAM SESSION (WILD WOMEN DON'T HAVE THE BLUES
by Ida Cox; by permission of Northern Music Company
 

BLUES IN THE NIGHT
by Harold Arlen and Johnny Mercer; by permission of Warner Bros., Inc.
 

DIRTY NO-GOODER'S BLUES
by Bessie Smith; used by permission of Frank Music Corp.

WHEN A WOMAN LOVES A MAN/AM I BLUE?
by Johnny Mercer, Gordon Jenkins and Bernard Hanighen/
by Grand Clarke and Harry Akst; used by permission of Chappell & Co.,/
used by permission of Warner Bros., Inc.

ROUGH AND READY MAN
by Alberta Hunter; used by permission of Alberta Hunter Music Co.
 
RECKLESS BLUES
by Bessie Smith; used by permission of Frank Music Corp.
 

WASTED LIFE BLUES
by Bessie Smith; used by permission of Frank Music Corp.
 

BABY DOLL
by Bessie Smith; used by permission of Frank Music Corp.

NOBODY KNOWS YOU WHEN YOU'RE DOWN AND OUT
by Jimmy Cox; used by permission of MCA Publishing

I GOTTA RIGHT TO SING THE BLUES
by Harold Arlen and Ted Koehler; used by permission of Warner Bros., Inc.

FOUR WALLS
(Reprise); used by permission of Jewel Music Publishing Co., Inc.
The videotaping or other video or audio recording of this production is strictly prohibited